The work is a book of particular value and uniqueness, entirely handmade by the Florentine teacher Luisella Terzi for her friend Paola Lombroso Carrara, author of the book of the same name and journalist and founder of the ‘Corriere dei piccoli’. On each board there are one or two movable figures, shaped on cardboard and hand-painted, animated by means of “leverages”, i.e. by means of lever systems operated by tie rods. These figurines are inspired by the characters from the fairy tales of Paola Lombroso (Aunt Mariù).

The volume entitled ‘28 April 1906’ contains 613 sheets of blank or textured paper containing autographs and letters sent and/or transcribed following the ‘VI International Congress of Criminal Anthropology’ held in Turin in 1906. The precious binding created by the Vezzosi company of Turin is embellished by the presence of a metal plate with the initials CL (Cesare Lombroso). Due to its poor state of preservation and the total disintegration of the structure and the fragmentation of the handwritten cards and letters pasted on each page of the volume, the intervention provided for careful and meticulous research and recomposition of each fragment, as well as the reconstruction of the block of cards in order to enhance and restore legibility of the work in its entirety.

The work of American photographer and activist Nan Goldin is a Cibachrome metal analogue photographic print on large dibonds. In a fairly conservative state, the photographic work had a considerable gap in the printing medium and an important and disfiguring surface scratch on the image side.
The main objective of the intervention was to recover the readability and use of the work and its long-term conservation through conservative interventions aimed at restoring the unity of the material and stopping the consequences of the physical degradation present.

The works, dated to the second half of the fifteenth century, entitled Justice e The Moon are part of a tarot deck consisting of 26 cards, five of which are triumphs and seven are figured cards, kept in an air-conditioned display case at the Accademia Carrara in Bergamo. The papers were made by the prestigious Cremonese workshop of Bonifacio Bembo, an Italian painter and illuminator, commissioned by Francesco Sforza, lord of Milan. The works illustrate scenes of everyday life and depict the chivalric context of the time.

Six membrane documents manuscripts with iron-gallic inks, dated between the end of the fifteenth century and the first half of the sixteenth century, belong to the Fondo Quintino Sella Original series, deck 10 of the Sella Foundation of Biella.
In particular, the parchment entitled 16 February 1492 It consisted of three documents (two parchments and a paper sheet) of different sizes, hooked together by tapeworm of parchment outside the support. The parchment entitled 26 December 1556 on the other hand, it has a red wax pendant seal, round in shape, in a wooden case, anchored to the document by means of a two-tone tubular silk cord with several threads.

The work in question is a portion of a larger papier peint in painted paper measuring 3.56 x 2.65 m dating back to the second half of the 18th century.
The large format of the work and the frame, which constrained the movements as a result of fluctuations in seasonal thermo-hygrometric values, had created tension problems with consequent small deformations of the paper surface. The proposed intervention aimed to preserve and restore the work by dismantling it from the frame and transporting it to the JRC laboratories where it was subjected to an in-depth structural and pictorial surface analysis.