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20mc01-AL-2010_Nichelino, Stupinigi Hunting Lodge, Chinese Fan, inv. 3215
Nichelino, Stupinigi Hunting Lodge, Chinese Fan, inv. 3215 - before restoration
Nichelino, Stupinigi Hunting Lodge, Chinese Fan, inv. 3215, verso - before restoration
Nichelino, Stupinigi Hunting Lodge, Chinese Fan, inv. 3215 - during the restoration
Nichelino, Stupinigi Hunting Lodge, Chinese Fan, inv. 3215 - after restoration
20mc01-AL-2010_Stupinigi_ventola_cinese-3215

20mc01-AL-2010_Nichelino, Stupinigi Hunting Lodge, Chinese Fan, inv. 3215



Facilitated description:

 

The fan is a painted wooden furniture that is used to hang candles on the wall.
The fan represents a man working at a table. The scene is set in China.
The fan was made after 1750.
The fan is kept at the Hunting Palace of Stupinigi.
The La Venaria Reale Conservation and Restoration Centre restored the fan in 2010.
The students of the restoration course participated in the project.
The restorers saw that some pieces were lost. For example, the object held by the man has been lost.
Students supplemented (filled) gaps (holes) caused by wood-feeding insects and color deficiencies.

 

 

 

 

Abstract of the intervention:

 

The restoration of the 6 Chinese fans of the Palazzina di Caccia di Stupinigi was part of an educational project carried out by the students of the third and fourth years of the interfaculty degree course in Conservation and Restoration of Cultural Heritage during the course "History and execution techniques: wooden furniture", lecturer Claudia Lombardi. On the works was also conducted a thesis work entitled The taste for "China" furniture between the reign of Vittorio Amedeo II and Vittorio Amedeo III (1713 -1796): scientific analysis of the materials used and of the executive techniques, with reference to some fans preserved at the Stupinigi hunting lodge, Jacopo D'Amico. 
During the restoration were found the loss of the object held in the hand by the character and the presence of falls of pictorial film at the bank of the game table and shoe. In addition, cracks emerged at the joint of the candle holders, flicker holes and degraded bonding. Therefore, the intervention aimed at consolidating the artifact and restoring stability. 

 

Bibliography

E. Ballaira, Paper 37, in Genius and mastery. Furniture and cabinetmakers at the Savoy court between the eighteenth and nineteenth centuries (catalogue), Allemandi, Turin, 2018, p. 250.