{"id":14661,"date":"2026-06-03T09:00:30","date_gmt":"2026-06-03T07:00:30","guid":{"rendered":"https:\/\/www.centrorestaurovenaria.it\/?post_type=eventi&#038;p=14661"},"modified":"2026-06-17T11:42:30","modified_gmt":"2026-06-17T09:42:30","slug":"archivissima-2026-archivio-pinin-brambilla-barcilon","status":"publish","type":"eventi","link":"https:\/\/www.centrorestaurovenaria.it\/eng\/eventi\/archivissima-2026-archivio-pinin-brambilla-barcilon\/","title":{"rendered":"Archive 2026"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid vc_column-gap-15 vc_row-o-equal-height vc_row-flex\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner vc_custom_1706437288867\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_center\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"914\" height=\"470\" src=\"https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/05\/diapo-Berengo-Gardin_Pinin-studio_img030-copia.jpg\" class=\"vc_single_image-img attachment-large\" alt=\"\" title=\"diapo-Berengo-Gardin_Pinin-studio_img030 copy\" srcset=\"https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/05\/diapo-Berengo-Gardin_Pinin-studio_img030-copia.jpg 914w, https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/05\/diapo-Berengo-Gardin_Pinin-studio_img030-copia-300x154.jpg 300w, https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/05\/diapo-Berengo-Gardin_Pinin-studio_img030-copia-768x395.jpg 768w, https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/05\/diapo-Berengo-Gardin_Pinin-studio_img030-copia-18x9.jpg 18w\" sizes=\"auto, (max-width: 914px) 100vw, 914px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"34\" src=\"https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/06\/archivissima-logo-300x34.jpg\" class=\"vc_single_image-img attachment-medium\" alt=\"\" title=\"very archived logo\" srcset=\"https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/06\/archivissima-logo-300x34.jpg 300w, https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/06\/archivissima-logo-1024x118.jpg 1024w, https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/06\/archivissima-logo-768x88.jpg 768w, https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/06\/archivissima-logo-1536x176.jpg 1536w, https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/06\/archivissima-logo-2048x235.jpg 2048w, https:\/\/www.centrorestaurovenaria.it\/wp-content\/uploads\/2026\/06\/archivissima-logo-18x2.jpg 18w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text\" ><span class=\"vc_sep_holder vc_sep_holder_l\"><span style=\"border-color:#ff5b29;\" class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span style=\"border-color:#ff5b29;\" class=\"vc_sep_line\"><\/span><\/span>\n<\/div>\n\t<div class=\"wpb_text_column wpb_content_element  vc_custom_1780045750474 minheight-h3title-home\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2><strong>Beyond the archive. Keys to reading and testimonies of Pinin Brambilla to read his archive<\/strong><\/h2>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><section class=\"vc_section\"><div class=\"vc_row wpb_row vc_row-fluid vc_column-gap-15 vc_row-o-equal-height vc_row-flex\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner vc_custom_1706437293453\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400;\">This year, the Restoration Conservation Centre \u2018La Venaria Reale\u2019 (CCR) is taking part in <em>Archived<\/em> <strong>proposing digital content<\/strong> <strong>the Pinin Brambilla Barcilon Archive<\/strong>. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The theme of this edition, \u2018What is not there\u2019, is set out in a selection of archival video materials collected by the Centre\u2019s staff at the time when the reorganisation of its archive began (2019). <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The video-interview, presented at the conference for the 100th anniversary of the birth of the restorer (<\/span><i><span style=\"font-weight: 400;\">Pinin Brambilla Barcilon 100 years since birth <\/span><\/i><span style=\"font-weight: 400;\">\u2013 1 December 2025, \u2018La Venaria Reale\u2019 Conservation Centre), has been reworked for the edition of Archivissima 2026.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>The words tell what the images testify visually and help to return the aspects that are less visible through the archival documentation<\/strong>: the reasons for the archive, the organisation of the work, the intimate and emotional dimension of the work face to face with the greatest masterpieces of art.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text\" ><span class=\"vc_sep_holder vc_sep_holder_l\"><span style=\"border-color:#ff5b29;\" class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span style=\"border-color:#ff5b29;\" class=\"vc_sep_line\"><\/span><\/span>\n<\/div><div class=\"vc_empty_space\"   style=\"height: 16px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h3><strong>Pinin Brambilla Barcilon<\/strong><\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400;\">Pinin Brambilla Barcilon (Monza, 1 December 1925 \u2013 Milan, 12 December 2020) is one of the most important figures in the restoration of the twentieth century, known throughout the world for having carried out the memorable restoration of the<\/span><i><span style=\"font-weight: 400;\">The Last Supper <\/span><\/i><span style=\"font-weight: 400;\">by Leonardo da Vinci in the Convent of the Church of Santa Maria delle Grazie in Milan (from 1978 to 1999) and for interventions on some of the greatest masterpieces of Italian art. These include the paintings of Giotto in the Scrovegni Chapel in Padua, the frescoes of Masolino da Panicale in the Baptistery of Castiglione Olona, the early medieval frescoes of Oleggio and the fifteenth-century ones of Palazzo Borromeo in Milan. Piero della Francesca, the Pollaiolo, Filippino Lippi, Crivelli, Mantegna, Lorenzo Lotto, Gentile Bellini, Bronzino, Caravaggio, Titian, Tiepolo, as well as numerous artists of modern and contemporary art (including Lucio Fontana and Man Ray), are some of the great masters to whom she has dedicated herself. An integral part of his career were professional collaborations with scientific and research institutes, such as the Politecnico di Milano and the Istituto Superiore per la Conservazione e il Restauro di Roma, and discussions and discussions with art historians, superintendents and museum directors such as Giovanni Romano, Carlo Bertelli, Cesare Brandi, Stella Matalon, Pietro Marani, Giovanna Rotondi Terminiello, Bruno Zanardi, Gianluigi Colalucci and Annamaria Spiazzi.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400;\">There are also important assignments abroad, such as collaboration with the Louvre in Paris or the Catalan Art Museum in Barcelona, as well as conferences and seminars at major universities and cultural institutes (Washington, Chicago, New Delhi, London, New York, Toronto, Sydney, Los Angeles, Tokyo, Basel, Oslo, Stockholm). From 1970 to 1990 she participated as an active member of the ICC Committee of ICOM (Contemporary Paintings) and from 1984 to 1993 she was a member of the R\u00e9unions annuas du groupe peintures murales et mosa\u00efques du C.C. (Comit\u00e9 de Conservation) of ICOM at the Laboratoire des Monuments Historiques de France \u00e0 Champs sur Marne.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"> From 2005 to 2012 he directed the laboratories of the Centro Conservazione Restauro \u2018La Venaria Reale\u2019, a centre for the university training of restorers and advanced research in the field of cultural heritage. In 2011-2012 he was a member of the Scientific Committee for the Restoration of Leonardo\u2019s Saint Anne in the Louvre. On 27 September 2019, the University of Turin awarded her a degree <\/span><i><span style=\"font-weight: 400;\">honoris causa<\/span><\/i><span style=\"font-weight: 400;\"> in Conservation and Restoration of Cultural Heritage.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/section><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text\" ><span class=\"vc_sep_holder vc_sep_holder_l\"><span style=\"border-color:#ff5b29;\" class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span style=\"border-color:#ff5b29;\" class=\"vc_sep_line\"><\/span><\/span>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1780046227331 vc_row-has-fill\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h6>The initiative is part of the Archivissima calendar.<br \/>\nthe Festival and the Night of the Archives.<br \/>\n<em>4 \u2013 7 June 2026<\/em><\/h6>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_btn3-container  btn-scopridipiu hoverblue a11y-reciver vc_btn3-left\" ><a style=\"background-color:#ff5b2a; color:#ffffff;\" class=\"vc_general vc_btn3 vc_btn3-size-lg vc_btn3-shape-rounded vc_btn3-style-custom vc_btn3-icon-right\" href=\"https:\/\/archivissima.it\/it\" title=\"\" target=\"_blank\">Learn more Archivissima 2026 <i class=\"vc_btn3-icon vc-material vc-material-call_received\"><\/i><\/a><\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h6><strong>\u201cBeyond the archive\u201d<\/strong><\/h6>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><div class=\"vc_empty_space\"   style=\"height: 22px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><div class=\"vc_btn3-container  btn-scopridipiu hoverblue a11y-reciver vc_btn3-left\" ><a style=\"background-color:#ff5b2a; color:#ffffff;\" class=\"vc_general vc_btn3 vc_btn3-size-lg vc_btn3-shape-rounded vc_btn3-style-custom vc_btn3-icon-right\" href=\"https:\/\/archivissima.it\/it\/oggetti\/6128-oltre-larchivio-chiavi-di-lettura-e-testimonianze-di-pinin-brambilla-per-leggere-il-suo-archivio\" title=\"\" target=\"_blank\">Watch the video and vote  <i class=\"vc_btn3-icon vc-material vc-material-ondemand_video\"><\/i><\/a><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>JRC participation in the ninth edition of Archivissima 2026 with digital content. Support it with your vote<\/p>","protected":false},"author":9,"featured_media":14774,"menu_order":0,"template":"","meta":{"inline_featured_image":false,"footnotes":""},"categoria-evento":[4],"class_list":["post-14661","eventi","type-eventi","status-publish","has-post-thumbnail","hentry","categoria-evento-eventi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Archivissima 2026 - CCR Centro Conservazione Restauro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.centrorestaurovenaria.it\/eng\/eventi\/archivissima-2026-archivio-pinin-brambilla-barcilon\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Archivissima 2026 - CCR Centro Conservazione Restauro\" \/>\n<meta property=\"og:description\" content=\"La partecipazione del CCR alla nona edizione di Archivissima 2026 con un contenuto digitale. 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