{"id":8900,"date":"2024-12-03T11:11:46","date_gmt":"2024-12-03T10:11:46","guid":{"rendered":"https:\/\/www.centrorestaurovenaria.it\/?page_id=8900"},"modified":"2024-12-03T14:11:14","modified_gmt":"2024-12-03T13:11:14","slug":"ypf-2024-programma-evento-finale","status":"publish","type":"page","link":"https:\/\/www.centrorestaurovenaria.it\/eng\/young-professionals-forum\/young-professionals-forum-2024\/ypf-2024-programma-evento-finale\/","title":{"rendered":"YPF 2024 final event programme"},"content":{"rendered":"
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PROGRAMME<\/span><\/strong><\/h1>\n\n\t\t<\/div>\n\t<\/div>\n\n\t
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La Venaria Reale, Italy, 27 September, 2024
\n<\/em>(online and face-to-face)<\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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\"F\"<\/strong>\u00a02:00 p.m<\/span><\/em><\/strong>.\u00a0\u00a0\u00a0\u00a0<\/span><\/em><\/strong>Institutional greetings<\/span><\/em><\/strong><\/p>\n

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\"F\"<\/strong>2:10 p.m. Theme framing from a policy perspective<\/span><\/em><\/strong><\/p>\n

Rehana Schwinninger-Ladak, Head of Interactive technologies, Digital for Culture and Education, DG CONNECT, European Commission and Luca Mercuri, Head of Department III \u2013 Fruition and Communication of Cultural Heritage, MIC, Italian Ministry of Culture.<\/span><\/p>\n

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\"F\"<\/strong>2:30 p.m. The State of the Art<\/span><\/em><\/strong><\/p>\n

Innovative Approaches to Accessibility and Inclusion in Cultural Sites<\/span><\/em>
\nValerie Magar, Unit Manager \u2013 Programmes, ICCROM, International Centre for the Study of the Preservation and Restoration of Cultural Property.<\/span><\/p>\n

Leading the Change: Museums Driving Universal Access and Inclusion<\/span><\/em>
\nSofia Bilotta, ICOM Accessibility Group, International Council of Museums.<\/span><\/p>\n

Safeguarding Heritage: Enhancing Accessibility Through the Evolution of the Venice Charter (1964-2024)<\/span><\/em>
\nMaria Teresa Jaquinta, ICOMOS Italy, Secretary General, International Council of Monuments and Sites.<\/span><\/p>\n

Digital accessibility: challenges and opportunities<\/span><\/em>
\nSarah Stannage, IIC, Executive Director, International Institute for Conservation of Historic and Artistic Works.<\/span><\/p>\n

Cultural heritage: a profession between past and future<\/span><\/em>
\nSara Ingoglia, Fondazione Santagata for Economics of Culture, Communication and PR Officer.<\/span><\/p>\n

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\"F\"<\/strong>3:10 p.m. Applications of universal accessibility principles<\/span><\/em><\/strong><\/p>\n

Transforming physical and digital access to the V&A\u2019s collections, library and archives: the David Bowie Archive as case study<\/span><\/em>
\nJoanna Norman, Director, Victoria and Albert Research Institute and National Art Library, United Kingdom.<\/span><\/p>\n

Multimodality and Listening: Accessibility at the Egyptian Museum<\/span><\/em>
\nMaria Elena Colombo, Head of the Department of Interpretation, Accessibility, and Sharing & Alessia Fassone,\u00a0<\/span>Curator, Egyptian Museum, Italy.<\/span><\/p>\n

Safeguarding Sites and Sharing Stories: The Rawis and Rangers of AlUla<\/span><\/em>
\nMohammed AlBalawi, Rawi Leadership Team, Royal Commission for AlUla, Kingdom of Saudi Arabia.<\/span><\/p>\n

Accessibility of an Unconventional Cultural Site: Conservation Education for All<\/span><\/em>
\nStefania De Blasi, Head of communication and documentation area, Centro Conservazione Restauro La Venaria Reale, Italy.<\/p>\n

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\"F\"<\/strong>4:00 p.m. Workshop Outcomes<\/span><\/em><\/strong>
\nThe Young Professionals and the International Thesaurus of Cultural Heritage with Universal Accessibility<\/span><\/em><\/p>\n

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\"F\"<\/strong>4:30 p.m. Conclusions<\/strong><\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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THE RAPPORTEURS<\/span><\/h1>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Mohammed AlBalawi
\n<\/strong>Rawi Leadership Team, Royal Commission for AlUla, Kingdom of Saudi Arabia<\/span><\/p>\n

With 5 years of experience as a Rawi (narrator), I honed my skills through extensive training around the world, including the USA, France, the United Arab Emirates, Saudi Arabia and the United Kingdom. Storytelling, a passion deeply rooted in my culture and handed down from my ancestors, is at the heart of my work. My experience also ranges from interpretation to tour guide in the tourism sector, with a focus on historical site operations and quality flow within the team. I am passionate about cultural exchange and have had the privilege of working with different stakeholders internationally. In addition to learning French, I continually expand my knowledge of cultural heritage sites and speak in public through advanced courses and presentations.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Sofia Billotta
\n<\/strong>ICOM Accessibility Group, International Council of Museums<\/span><\/p>\n

Head of Public Engagement and Training Offices \u2013 MAXXI Foundation
\nArt historian and museologist, she holds a European master\u2019s degree in architectural history from Roma Tre University, and is conducting a PhD at Torvergata University. Expert in museum education and accessibility and cultural heritage pedagogy, she has curated projects for several museums and participated as a researcher in projects for La Sapienza University and the Lazio Region on regional museum systems. She has been working at MAXXI since 2004, first within the Education Office, for which she was responsible from 2014 to 2018, currently heading the Training Office and the Public Engagement Office, which implements accessibility and intercultural projects in a participatory key. Since the academic year 2016\/17, he has been teaching Museum and Territory Didactics at the School of Specialisation in Historical and Artistic Heritage of the Sapienza Faculty of Letters and Philosophy, University of Rome.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Maria Elena Colombo
\n<\/strong>Head of the Department of Interpretation, Accessibility, and Sharing<\/span><\/p>\n

Graduated in Conservation of Cultural Heritage, she holds a Master in Museology, museography and management of cultural heritage. She has been involved for a decade in communication in digital contexts. <\/span>He worked as Digital Media Curator and press office for the Diocesan Museum of Milan from 2011 to 2015, collaborating with the Bagatti Valsecchi house museum and the MAN of Cividale. He taught Multimedia for Cultural Heritage at the Brera Academy; holds courses at the Master in Museology, Museography and Cultural Management and at the School of Specialisation in Archaeology at the Catholic University of Milan on museology and communication, with a focus on digital. She is the author of the volume\u00a0Museums and digital culture<\/em>. <\/span>Since 2022, he has been responsible for the interpretation, accessibility and sharing department of the Egyptian Museum in Turin.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Stefania de Blasi
\n<\/strong>Head of communication and documentation area, Centro Conservazione Restauro La Venaria Reale<\/span><\/p>\n

Stefania De Blasi is an art historian, specialising in the history of decorative arts and a PhD in History of Restoration and Art Criticism. He has collaborated on national research and cataloguing projects with the University of Turin, the Piedmont Superintendencies and Italian museums. Since 2006 he has been working at the \u2018La Venaria Reale\u2019 Conservation and Restoration Centre (CCR), where he has coordinated, as a reference art historian, the areas of restoration of wooden furniture, textile artefacts and numerous national and international projects on museum residences. Today he is responsible for the Communication and Documentation Area and manages the JRC\u2019s library and archives. He has curated numerous exhibitions, conferences and publications and is the referent of curatorial and enhancement projects for the assets of the Fondazione Ordine Mauriziano, in particular for the Palazzina di Caccia di Stupinigi. She is a specialist lecturer for the JRC's Preventive Conservation Programmes. He has taught and written about restoration history, museology, art market, connoisseurship and history of decorative arts.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Alessia Fassone
\n<\/strong>Curator, Egyptian Museum, Italy<\/span><\/p>\n

Graduated in Egyptology and specialised in Archaeology at the University of Turin, she worked in numerous archaeological excavations and took part in the activities of the Italian Archaeological Mission in Alexandria. As an expert of the Italian Ministry of Foreign Affairs, he took part in the project\u00a0\u201cGrand Egyptian Museum \u2013 Giza\u201d<\/em>, at the Egyptian Museum in Cairo in 2004.
\nIt has also devoted itself to Egyptological dissemination, through teaching and drafting of texts, cultural tourism and museum teaching. Before becoming Curator for the Foundation for the Egyptian Museum and Antiquities, he collaborated with the Archaeological Superintendence of Piedmont on the cataloguing of the collections kept in the warehouses.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Sara Ingoglia
\n<\/strong>Fondazione Santagata for Economics of Culture, Communication and PR Officer<\/span><\/p>\n

Sara is a young professional with an interdisciplinary education between economics and culture. He holds a Bachelor\u2019s degree in Economics and Management of Cultural Heritage from Ca\u2019 Foscari University and a Master\u2019s degree in Economics and Cultural Entrepreneurship from Erasmus University Rotterdam. Through her passion for art and a strong interest in communication and digital innovation, Sara aspires to contribute to the development and growth of the cultural sector. Her professional experience in the communication sector, including a position at the Culture Department of the Municipality of Milan, has provided her with significant skills in institutional contexts. Currently, Sara holds the role of Head of Communication at Fondazione Santagata, where she is responsible for promoting the projects and activities in progress and taking care of the external relations of the Foundation.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Maria Teresa Jaquinta
\n<\/strong>ICOMOS Italy, Secretary General, International Council of Monuments and Sites<\/span><\/p>\n

An architect by profession, Maria Teresa Jaquinta has held important roles in various international organizations. He is currently Secretary General of the Italian Committee and Vice President of the International Scientific Committee for Conservation Education and Training at ICOMOS. Member of other committees dealing with architectural heritage conservation and risk preparedness. Since 1997 he has been a member of the Professional Association of Architects, Planners, Landscapers and Conservationists (CNAPPC).
\nDuring his career at ICCROM, from 1987 to 2021, he held management roles and supervised numerous projects. Among these, the NAMEC program (1992-2001) and the coordination of initiatives in the Mediterranean, such as the study for the restoration of the Axum stele and the preparation of the architectural competition for the New Egyptian Museum in Giza. From 2004 to 2021, she was also responsible for ICCROM\u2019s external relations with Member States, focusing on the host country, Italy.
\nIn 2021 and 2023, he successfully handled two Italian cases for inclusion in UNESCO\u2019s World Memory Register, namely the Banco di Napoli Foundation and the Naples State Archives. Since 2023 he has been Director of the International Law and Development Program at UNIDROIT. He actively participates in conferences and courses at Italian and international universities.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Valerie Magar
\n<\/strong>Unit Manager \u2013 Programmes, ICCROM, International Centre for the Study of the Preservation and Restor<\/span><\/p>\n

Valerie Magar holds a degree in conservation of movable heritage (Escuela Nacional de Conservaci\u00f3n, Restauraci\u00f3n y Museograf\u00eda, Mexico) and a doctorate in archaeology (Universit\u00e9 de Paris I, Sorbonne, France), where she specialized in the conservation of archaeological heritage, in particular wall paintings and rock art, as well as in the history and theory of conservation. He worked in Mexico at the Coordinaci\u00f3n Nacional de Conservaci\u00f3n del Patrimonio Cultural (CNCPC) of the Instituto Nacional de Antropolog\u00eda e Historia (INAH). She was National Coordinator of INAH between 2013 and 2016. Between 2004 and 2010, she worked at ICCROM as a conservation specialist, and returned to ICCROM in 2018, where she is responsible for the Programmes Unit. He is a member of ICOM, ICOMOS and the World Archaeological Congress (WAC) He has published on various topics of archaeological conservation, heritage management, history and conservation theory. She has been an editor for several magazines in the past, and is currently the editor of Conversaciones..., co-published by INAH and ICCROM.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Joanna Norman
\n<\/strong>Director, Victoria and Albert Research Institute and National Art Library, United Kingdom<\/span><\/p>\n

Joanna Norman is director of the V&A Research Institute, the National Art Library (NAL) and the archives of the Victoria and Albert Museum. Responsible for the direction of research projects and affiliations of the V&A, university collaborations and collections and services of the library and archives. His curatorial projects and publications include Baroque (V&A, 2009), Treasures from Budapest (Royal Academy of Arts, 2010), Europe 1600-1815 Galleries (V&A, 2015), Scottish Design Galleries at V&A Dundee (2018), Between Two Worlds: Francis Williams and Vanley Burke (V&A, 2023) as well as the collaboration V&A \/ BBC4 Handmade in Britain (2011-2). He currently leads the coordination of a new AHRC-funded programme for scholarships for young professionals at cultural and heritage organisations, co-chairs the Independent Research Organisation consortium and is a member of the Royal Historical Society.<\/p>\n

Photo Credit \u00a9 Victoria and Albert Museum, London<\/em><\/h6>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Sarah Stannage
\n<\/strong>IIC, Executive Director, International Institute for Conservation of Historic and Artistic Works<\/span><\/p>\n

With over 20 years of professional experience in museums, heritage, economic development, coastal and rural regeneration, and in addition to working as Managing Director in the charity sector, Sarah trained as a restorer in Lincoln (UK) and did an internship in archaeology and antiquities at the Fitzwilliam Museum, University of Cambridge. She continued with a Master\u2019s degree dedicated to environmental and sustainable development decision-making, while working in the East of England for an Urban Regeneration Society, becoming Director of Heritage as Head of Museums, Archaeological Sites, Historic Houses and Collections. He has direct experience in the management of sites at serious risk of climate change, including at landscape level, and had the opportunity to hold the world\u2019s first crowd-funded and crowd-sourced Flag Fen LIVES archaeological excavation project in 2012. She often draws on her professional practice and experience in co-production and participatory work to promote broader social change and community empowerment.
\nAfter being a policy researcher in a six-year multidisciplinary project funded by the Research Council for Arts and Humanities (AHRC), Understanding Everyday Participation: Articulating Cultural Values, in addition to being a Clore Leadership Fellow \u2018Living Places\u2019 and a member of the Royal Society of Arts, is currently on the Advisory Board of a DigVentures social enterprise and is on the ICCROM\u2019s Net Zero Heritage for Climate Action and the Climate.Culture.Peace initiatives. Sarah was appointed Executive Director of the International Institute for the Conservation of Historical and Artistic Works (IIC) in 2018.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"La Venaria Reale, Italy, 27 September, 2024 (online and in person) 2:00 p.m. Institutional greetings 2:10 p.m. Theme framing from a policy perspective Rehana Schwinninger-Ladak, Head of Interactive technologies, Digital for Culture and Education, DG CONNECT, European Commission and Luca Mercuri, Head of Department III - Fruition and Communication of Cultural Heritage, MIC, Italian Ministry ... Read more<\/a>","protected":false},"author":9,"featured_media":0,"parent":8843,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-8900","page","type-page","status-publish"],"yoast_head":"\nYPF 2024 programma evento finale - CCR Centro Conservazione Restauro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.centrorestaurovenaria.it\/eng\/young-professionals-forum\/young-professionals-forum-2024\/ypf-2024-programma-evento-finale\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"YPF 2024 programma evento finale - CCR Centro Conservazione Restauro\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.centrorestaurovenaria.it\/eng\/young-professionals-forum\/young-professionals-forum-2024\/ypf-2024-programma-evento-finale\/\" \/>\n<meta property=\"og:site_name\" content=\"CCR Centro Conservazione Restauro\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-03T13:11:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/old.centrorestaurovenaria.it\/sites\/default\/files\/inline-images\/logo%20ypf.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.centrorestaurovenaria.it\\\/young-professionals-forum\\\/young-professionals-forum-2024\\\/ypf-2024-programma-evento-finale\\\/\",\"url\":\"https:\\\/\\\/www.centrorestaurovenaria.it\\\/young-professionals-forum\\\/young-professionals-forum-2024\\\/ypf-2024-programma-evento-finale\\\/\",\"name\":\"YPF 2024 programma evento finale - 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