{"id":9065,"date":"2024-12-04T15:58:32","date_gmt":"2024-12-04T14:58:32","guid":{"rendered":"https:\/\/www.centrorestaurovenaria.it\/?page_id=9065"},"modified":"2024-12-10T17:27:15","modified_gmt":"2024-12-10T16:27:15","slug":"ypf-2021-programma-evento-finale","status":"publish","type":"page","link":"https:\/\/www.centrorestaurovenaria.it\/eng\/young-professionals-forum\/young-professionals-forum-2021\/ypf-2021-programma-evento-finale\/","title":{"rendered":"YPF 2021 programme"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h1><strong><span style=\"color: #ff6600;\">PROGRAMME<\/span><\/strong><\/h1>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><em>1 \u2013 2 July, 2021<br \/>\n<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2><span style=\"color: #ff6600;\"><strong>1 JULY 2021<\/strong><\/span><\/h2>\n<p>1:00-1:05 Welcome Addresses<\/p>\n<p>1:05-1:20 Greetings<\/p>\n<p>1:20-1:40 Main Lecture \u2013\u00a0<strong>Webber Ndoro\u00a0<\/strong>\u2013 ICCROM,<strong>\u00a0<\/strong>Director General<\/p>\n<hr \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"filter-image-invalid\" title=\"The image has been removed. For security reasons, only images from the local domain are allowed.\" src=\"https:\/\/old.centrorestaurovenaria.it\/sites\/default\/files\/inline-images\/il%20logo%20def-lui%20fucsia.jpg\" alt=\"Image removed.\" width=\"35\" height=\"36\" data-entity-type=\"file\" data-entity-uuid=\"3f463d8c-26f2-443b-a05e-d51c2b3de7de\" \/><\/strong><strong>Session 1<\/strong>\u00a0<strong>\u2013 Conservation ethics and practice<\/strong><\/p>\n<p>1:40-1:45 Presentations by\u00a0<strong>Michela Cardinali\u00a0<\/strong>\u2013 JRC, Director of Conservation Laboratories and of the Higher Education and Study School<\/p>\n<p>1:45-1:50 Presentations by\u00a0<strong>Sarah Stannage\u00a0<\/strong>\u2013 IIC, Executive Director<\/p>\n<p>1:50-2:30 Presentations by\u00a0<strong>young selected candidates\u00a0<\/strong>to the call for abstracts for S1:<\/p>\n<ul>\n<li><strong>Arthur Henrique Ara\u00fajo Vieira<\/strong>\u00a0\u2013 Elaboration of Norms and Criteria for Intervention for the Safeguard of N\u00facleo Pioneiro de Goi\u00e2nia-GO<\/li>\n<li><strong>Chiara Biribicchi<\/strong>\u00a0\u2013 \u2018With Title\u2019: the conservation treatment on a gouache painting on plywood (1986) by Gino De Dominicis. A comparative study on selected adhesives to carry out a fixing intervention on a matt paint film<\/li>\n<li><strong>Chiara Fabbri<\/strong>\u00a0\u2013 Marcolino Gandini\u2019s \u2018Untitled\u2019 restoration treatment: Contemporary art conservation issues and methodological challenges<\/li>\n<li><strong>Domiziana Marchioro<\/strong>\u00a0\u2013 Methodological approach to a restoration artefact: the intervention on a stucco frame from the House of the Cryptoporticus in Pompeii<\/li>\n<li><strong>Eid Mertah<\/strong>\u00a0\u2013 Characterizing polychrome and gilded bronze statues of osiris<\/li>\n<li><strong>Nicola Ricotta<\/strong>\u00a0\u2013 Electrolytic processes as conservation practices: approaching the best surface appearance of tarnished silver objects through controlled cleaning<\/li>\n<\/ul>\n<p>2:30-2:50 Q&amp;A<\/p>\n<hr \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"filter-image-invalid\" title=\"The image has been removed. For security reasons, only images from the local domain are allowed.\" src=\"https:\/\/old.centrorestaurovenaria.it\/sites\/default\/files\/inline-images\/il%20logo%20def-lui%20verde.jpg\" alt=\"Image removed.\" width=\"33\" height=\"35\" data-entity-type=\"file\" data-entity-uuid=\"58963899-ee81-4f21-95fe-fb2ae3e9de94\" \/><\/strong><strong>Session 2<\/strong>\u00a0<strong>\u2013 Diagnostics and technologies applied to conservation<\/strong><\/p>\n<p>2:50-2:55 Presentation by\u00a0<strong>Costanza Miliani\u00a0<\/strong>\u2013 CNR ISPC, Director<\/p>\n<p>2:55-3:00 Presentation by\u00a0<strong>Lorenzo Appolonia\u00a0<\/strong>\u2013 IGIIC, President<\/p>\n<p>3:00-3:40 Presentations by\u00a0<strong>young selected candidates\u00a0<\/strong>to the call for abstracts for S2:<\/p>\n<ul>\n<li><strong>Anna Faron<\/strong>\u00a0\u2013 Instrumental techniques aiding overpaints removal \u2013 MA-XRF Imaging supported with oct in conservation practice<\/li>\n<li><strong>Elisa Mammoliti\u00a0<\/strong>\u2013 A multidisciplinary non-destructive approach for the chemico-physical and mechanical characterization of historical masonry mortars and stone elements: insights from Camerino town (Central Italy)<\/li>\n<li><strong>\u00c1gueda S\u00e1enz-Mart\u00ednez<\/strong>\u00a0\u2013 Optical roughness measurements in the evaluation of acid cleaning treatments for the removal of calcareous deposits in ceramic materials<\/li>\n<li><strong>Mar\u00eda Higueras Mu\u00f1oz<\/strong>\u00a0\u2013 Digital Elevation Models for the Assessment in the Diagnosis Process of Cultural Heritage<\/li>\n<li><strong>Alfredo Ortega-Ordaz\u00a0<\/strong>\u2013 The Antifungal Effect of a Traditional Treatment on New Spain Maize Stem Sculptures<\/li>\n<li><strong>Valentina Valbi<\/strong>\u00a0\u2013 Micorr application: a diagnostic tool for corrosion forms on heritage metal artifacts<\/li>\n<\/ul>\n<hr \/>\n<p>3:40-4:00 Q&amp;A<\/p>\n<p>Young Professionals Forum\u00a0<strong>Lab<\/strong><\/p>\n<p>4:00 \u2013 5:00 Parallel working groups<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2><span style=\"color: #ff6600;\"><strong>2 JULY 2021<\/strong><\/span><\/h2>\n<p>1:00-1:15 Welcome Addresses<\/p>\n<hr \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"filter-image-invalid\" title=\"The image has been removed. For security reasons, only images from the local domain are allowed.\" src=\"https:\/\/old.centrorestaurovenaria.it\/sites\/default\/files\/inline-images\/il%20logo%20def-lui%20blu.jpg\" alt=\"Image removed.\" width=\"30\" height=\"32\" data-entity-type=\"file\" data-entity-uuid=\"5bb30fb9-32b7-48e4-82c0-e5a1aff60da2\" \/><\/strong><strong>Session 3\u00a0<\/strong><strong>\u2013 Museum professions<\/strong><\/p>\n<p>1:15-1:20 Presentation by\u00a0<strong>Sara Abram\u00a0<\/strong>\u2013 JRC, Secretary General<\/p>\n<p>1:20-1:25 Presentation by\u00a0<strong>Alberto Garlandini\u00a0<\/strong>\u2013 ICOM International, President<\/p>\n<p>1:25-1:55 Presentations by\u00a0<strong>young selected candidates\u00a0<\/strong>to the call for abstracts for S3:<\/p>\n<ul>\n<li><strong>Eleonora Casarotti<\/strong>\u00a0\u2013 The Sepik masks at the Quai Branly museum \u2013 JC: building up a collection (1914-1999)<\/li>\n<li><strong>Suzana Kasovska Georgieva<\/strong>\u00a0\u2013 Contribution to the interdisciplinary nature of the museum professionals: case study of CULTHER project<\/li>\n<li><strong>Nagmeldeen Hamza<\/strong>\u00a0\u2013 Conservation of Evidence: The significance of Objects biography from Tutankhamun tomb<\/li>\n<li><strong>Leticia Gondim<\/strong>\u00a0\u2013 To research, it is necessary to preserve: the importance of conservation in curation and knowledge production, the case study of Rio do Meio, Brazil<\/li>\n<li><strong>Mar\u00eda Barajas Rocha<\/strong>\u00a0\u2013 The remains of the sacred precinct of Tenochtitlan in Mexico City. A new approach for their exhibition and conservation<\/li>\n<li><strong>Veronica Tronconi<\/strong>\u00a0\u2013 Communicating conservation and restoration practice: towards a holistic approach<\/li>\n<\/ul>\n<p>1:55-2:25 Q&amp;A<\/p>\n<hr \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"filter-image-invalid\" title=\"The image has been removed. For security reasons, only images from the local domain are allowed.\" src=\"https:\/\/old.centrorestaurovenaria.it\/sites\/default\/files\/inline-images\/il%20logo%20def-lui-giallo_0.jpg\" alt=\"Image removed.\" width=\"27\" height=\"32\" data-entity-type=\"file\" data-entity-uuid=\"b52d9456-5792-4626-80a6-93a7093d303f\" \/><\/strong><strong>Session 4<\/strong>\u00a0<strong>\u2013 History of conservation<\/strong><\/p>\n<p>2:25-2:30 Presentation by\u00a0<strong>Maria Beatrice Failla\u00a0<\/strong>\u2013 UniTo, Associate Professor<\/p>\n<p>2:30-2:35 Presentations by\u00a0<strong>Stefania De Blasi\u00a0<\/strong>\u2013 JRC, Head of Documentation and Communication<\/p>\n<p>2:35-3:05 Presentations by 6\u00a0<strong>young selected candidates<\/strong>\u00a0to the call for abstracts for S4:<\/p>\n<ul>\n<li><strong>Camilla Ballor\u00a0<\/strong>\u2013 Some restorations in Turin between the two world wars critical observations<\/li>\n<li><strong>Katharina Fuchs<\/strong>\u00a0\u2013 Conservation of Viennese scagliola interiors \u2013 past methods and new approaches<\/li>\n<li><strong>Sneha Himanshu Kishnadwala<\/strong>\u00a0\u2013 Making Future for the Past: Conversation of History of Conservation, an Indian Perspective<\/li>\n<li><strong>Veronika Knedilkowa<\/strong>\u00a0\u2013 Mounting Papers \u2013 A Valuable Witness to the History of Renaissance Drawings<\/li>\n<li><strong>Angela Pepe<\/strong>\u00a0\u2013 The complex conservative occurrences of the \u2018Andata al Calvario\u2019 of the Correale Museum in Sorrento<\/li>\n<li><strong>Ariadne Irene Vaiopoulos of Ama<\/strong> \u2013 The San Fernando Royal Academy of Fine Arts and its role in the protection and safeguarding of Spanish heritage in the first half of the 19th century<\/li>\n<\/ul>\n<hr \/>\n<p>3:05-3:35 Q&amp;A<\/p>\n<p><strong>Young Professionals Forum Lab<\/strong><\/p>\n<p>3:35-4:40 Presentation of the\u00a0<strong>Outcomes of the Young Professionals Forum Lab<\/strong><\/p>\n<p><strong>Award Ceremony<\/strong><\/p>\n<p>4:40-4:45 Announcement of\u00a0<strong>the winner of YPF 2021\u00a0<\/strong>and her\/his speech<\/p>\n<p>4:45-4:50 Announcement of\u00a0<strong>the Winner of Ki Award\u00a0<\/strong>and her\/his speech<\/p>\n<p>4:50-5:00 Closure<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 100px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"PROGRAMME 1 - 2 July, 2021 1 JULY 2021 1:00-1:05 Welcome Addresses 1:05-1:20 Greetings 1:20-1:40 Main Lecture \u2013 Webber Ndoro \u2013 ICCROM, Director General Session 1 - Conservation ethics and practice 1:40-1:45 Presentations by Michela Cardinali - CCR, Director of Conservation Laboratories and of the Higher Education and Study School 1:45-1:50 Presentations by Sarah Stannage - IIC, Executive Director 1:50-2:30 Presentations by young selected ... <a title=\"YPF 2021 programme\" class=\"read-more\" href=\"https:\/\/www.centrorestaurovenaria.it\/eng\/young-professionals-forum\/young-professionals-forum-2021\/ypf-2021-programma-evento-finale\/\" aria-label=\"More on YPF 2021 programme\">Read more<\/a>","protected":false},"author":9,"featured_media":0,"parent":9053,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-9065","page","type-page","status-publish"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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