LINES OF ENERGY
The photographic object over time. Creation, interpretation, conservation
Intesa Sanpaolo, the La Venaria Reale Conservation and Restoration Centre and theIGIIC Association – Gruppo Italiano International Institute for Conservation, on the occasion of the 2023 edition of Artissima, present three Appointments Live Streaming and One Round Table in person for the 2023 edition of Energy lines
For some years now, the Energy Lines programme has been focusing on the conservation of photography.
After the 2021 and 2022 events, which took place with remote interventions by key players and experts in the sector, the path taken is continued through a conference in a mixed format, with three meetings presenting content specifically aimed at analysing cases of archives and collections dedicated to photography, from the point of view of the conservation, study and dissemination of the materials stored there, completed by a round table meeting, on the morning of Friday 17 November, at the Gallerie d’Italia in Turin. The entire programme is coordinated by Sara Abram, Walter Guadagnini and Francesco Tedeschi, who also curated the previous discussions on the topic.
The focus this year is on relationship between time and photography, both in the sense of recording and documenting a temporal phenomenon and in the vocation to preserve and transmit the image to the future.
The first three moments will see the participation of conservators and scholars who will present specific cases within the themes: Conservation and use of photographic archives; Photography as a memory of art; Photography as a work of art.
SEMINAR INFORMATION AND CONFERENCES
Participate in online seminars
Click here
Participate in the Conference
- In the presence
Free admission
prior reservation required
by writing an email to:
torino@gallerieditalia.com - Live streaming
Click here
ONLINE SEMINAR
Conservation and use of photographic archives
Moderator: Sara Abram
Interventi
- Lisa VERGELLI,
Microclimatic risk assessment for vulnerable materials – the case of the paper, photographic and film archives of the Experimental Cinematography Centre (CSC), Rome, Italy. - Cinzia RAMPINI,
Cinema photography from analogue to digital: restoration of 14 photo-envelopes from the photographic archive of the Fondazione Cineteca Italiana di Milano. Reflections on the role of the restorer in the world of technological innovation. - Serena BERNO and Laura BARZAGHI,
From oblivion to return to society: photographic restoration work compared in the historical archive of Intesa Sanpaolo.
To register for the seminar click here
ONLINE SEMINAR
Photography as a memory of art
Moderator: Francesco Tedeschi
Interventi
- Simona CICALA, Sandra PETRILLO,
In the footsteps of Adolfo Porry Pastorel: study and restoration of photographs preserved in the Civic Museum of Bari. - Martina PAGANIN,
Maria Melato: conservation and restoration of copyright photographs survivors of the Second World War. - Alessandra GIOVANNINI LUCA and Daniela GIORDI,
1880-1940 stories of shots, memories of places-from conservative recoveryto digitalisation. - Simona CICALA, Umberto NAPOLETANO,
Digital technologies of use at the edge of time for the photographic exhibition ‘Apulia monumentale – il viaggio di Romualdo Moscioni’ (Monumental Apulia – the journey of Romualdo Moscioni).
To register for the seminar click here
ONLINE SEMINAR
Photography as a work of art
Moderator: Walter Guadagnini
Interventi
- Maria Cristina D’AMICO,
The importance of collaboration between restoration sectors in the treatment of contemporary photography works: the case study of the work ‘Peace’ by Nino Migliori. - Annalisa FORGHIERI, When ‘real photography’ was not photography at all.
- Ilaria CAMPIOLI, Wonderful curious: Joan Fontcuberta’s work for Palazzo dei Musei in Reggio Emilia.
To register for the seminar click here
In-person conference available also live streaming
LINES OF ENERGY The photographic object over time. Creation, interpretation, conservation
Interventi
Michele COPPOLA
Executive Director Art, Culture and Historical Heritage Intesa Sanpaolo
Giorgio BONSANTI
Former President of the MIBACT-MIUR Interministerial Commission for Restoration Education
Paola DI BELLO
Artist Photographer and Professor of Photography, Accademia di Brera, Milan
Raffaella PERNA
Professor of Art History and student of the history of photography, La Sapienza University, Rome
Nicoletta LEONARDI
Professor of Art History, Accademia di Brera, Milan and head of the photographic archive of the Accademia Albertina in Turin
Claudia BARONCINI
Director of the Alinari Foundation for Photography
Leonardo MAGRELLI
artist
Conclusions and final debate
coordinate
Sara Abram
Secretary General La Venaria Reale Conservation and Restoration Centre
Walter Guadagnini
Director CAMERA – Centro Italiano per la Fotografia di Torino
Francesco Tedeschi
Catholic University of the Sacred Heart, Milan
Free admission upon reservation by writing an email to: torino@gallerieditalia.com
Live streaming Click here
CCR and accessibility
