RESTURO CONSERVATION CENTER La Venaria Realehome / Digital archive – single work



Pinin Brambilla Barcilon Archive

Milan, Pinacoteca Ambrosiana, Federico Barocci, Nativity of Jesus, Painting on canvas
APBB_CTRS_00224_02_001.jpg
APBB_CTRS_00224_02_002.jpg
APBB_CTRS_54_2_P_001.tif
APBB_CTRS_54_2_P_002.tif
APBB_CTRS_54_2_P_003.tif
APBB_CTRS_54_2_P_007.tif
APBB_CTRS_54_2_P_008.tif
APBB_CTRS_54_2_P_009.tif
APBB_CTRS_54_2_P_010.tif
APBB_CTRS_54_2_P_011.tif
APBB_CTRS_54_2_P_012.tif
APBB_CTRS_54_2_P_013.tif
APBB_CTRS_54_2_P_014.tif
APBB_CTRS_54_2_P_015.tif
APBB_CTRS_54_2_P_016.tif
Restoration Report_Federico Barocci_Nativity - APBB_CTRS_54_2_DOC1.pdf

Milan, Pinacoteca Ambrosiana, Federico Barocci, Nativity of Jesus, Painting on canvas

Description Relationship with mappings, phototypes (positive, negative).


consistency

Quantity 1|16|25

Type positive document(s) on paper up to 21x29 cm.negative document(s) on film up to 10x15 cm.

Description restoration report with mapping.6 positive b/w 18x24 cm, 1 positive colour 18x24 cm, 9 positive colour 10x15 cm.6 negatives on film 10x12 cm, 19 negatives on film 35 mm

Reordering sign

APBB_CTRS_F54_2


Restoration report (07/1991-09/1991) and photographic documentation relating to the restoration of the painting Nativity of Jesus by Federico Barocci.

 

 

Facilitated description 

 

The work "Nativity of Jesus" by Federico Barocci, now known as "Nativity" or "Nativity", is a painting on canvas from 1598 preserved at the Pinacoteca Ambrosiana in Milan.
Restorer Pinin Brambilla Barcilon restored the work in 1991. 
Previously, the painting had been transported (transferred from an old medium to a new one) from the original canvas to a new canvas. 
The frame (structure that supports the canvas of the painting) was in good condition and the restorer kept it. 
In the past, other restorers had painted the painting.
The restorer Pinin Brambilla removed the old paint that had yellowed to better see the original colors of the painting. 
He carried out the grouting of the gaps (a white layer of plaster and glue that extends inside a gap and forms a smooth and uniform base on which to paint the additions).
He made the additions (reconstruction of the material or color of missing parts) with hatch technique (thin and small lines of color that from a distance recompose the shape of the missing part) and veils (transparent layer of color).