RESTURO CONSERVATION CENTER La Venaria Realehome / Digital archive – single work



CCR Archive

109mc05-CF-2017_Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337
Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337 - before restoration
Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337, verso - before restoration
Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337 - before restoration, grazing light
Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337 - Infrared in false color (950 nm)
Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337 - infrared IR (950 nm)
Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337 - UV analysis
Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337 - after restoration
Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337, verso - after restoration
109mc05-CF-2017_cartone_arcangelo
Restoration sheet
Overall restoration report
Biological Investigations Report
Technical report on scientific investigations

109mc05-CF-2017_Turin, Pinacoteca Accademia Albertina, G. Ferrari, Arcangelo, inv. 337



Facilitated description: 

 

Arcangelo is a work on cardboard. 
It is the preparatory drawing, that is, the model made by the artist before making the painting. 
The painter Gaudenzio Ferrari made the drawing in 1520. 
The restorers of the Centre for Conservation and Restoration "La Venaria Reale" (CCR) did a maintenance (small interventions) on the cardboard in 2017. 
The restorers dismantled the cardboard from the frame.
They cleaned the cardboard from dust with a small vacuum cleaner. 
They cleaned the plastic panel that protects the cardboard. 
They have correctly repositioned the frame (wooden structure that is located behind the cardboard and serves to support the cardboard). 
They eventually reassembled the cardboard into the frame and put cardboard around the design to protect it from contact with the frame and plastic panel. 

 

 

 

 

Abstract of the intervention: 

 

The conservative survey of Gaudenzio Ferrari's cartoon was carried out on the occasion of the exhibition The Renaissance of Gaudenzio Ferrari (Varallo, Pinacoteca; Vercelli, San Marco; Novara, Broletto 2018). The intervention included checking the works to identify cases that required minimal intervention and preventive maintenance. The appropriateness of the display frames was also checked. 

Maintenance 

The intervention provided for the cleaning of the front of the cardboard with an air pump and of the back with a micro aspirator. The plexiglass cover has been dusted with a soft cloth and demineralized water. The tensioning of the frame was then performed. To protect the work from contact with the modern wooden frame and plexiglass, the cardboard was coated with conservative cardboard and Japanese paper. 

 

Bibliography

E. May, Sheet 97, in The Renaissance by Gaudenzio Ferrari, G. Agosti, J. Stoppa (eds.), Milano, Officina Libraria, 2018, pp. 492-494.