Conservation of devotional heritage in the area
Mexico City 's

Introduction to Conservative Documentation

The Shekhawati project: understand cultural heritage through different concepts and challenges in Rajasthan (India)

The restoration of 3 contemporary plastic masks:
study, protection and enhancement

Conservation practices between past and present:
an integrated approach to conservation decision-making challenges

Adhesion interventions on layers of paint: correlation between viscosity and surface tension and penetration and deposition of adhesive

Cleaning watercolors with Paraprint 0L60: analytical study

Towards an innovative anti-corrosion coating for metal artworks combining nanotechnology and green chemistry

Study of possible sources of vegetable fibers in cuba for the processing by hand of paper useful and necessary for restoration

From materiality to immateriality: adopt techniques of documentation of tangible cultural heritage to intangible cultural heritage

NMR protocol for multiscale characterization
of water-impregnated archaeological wood

Recommendation ICOM Brazil in the face of COVID-19:
the importance of interdisciplinary collective action between institutions for heritage protection during the pandemic in Brazil

Plastics in our cultural heritage: garbage or honey?

Tackling the backlog:
the online project of the press room of the Rijksmuseum in Amsterdam

The birth of a museum.
Experience of two Conservatives

A new digital approach to textile documentation:
Safavid velvet survey in the collection of the University of Pennsylvania Museum of Archaeology and Anthropology

The birth and development of scientific restoration
from the eighteenth to the first twentieth century in Russia

From Michele Ridolfi to today: History of restoration in Lucca
through a large painting by Pietro Paolini

Ancient oriental carpets:
Methodologies of restoration between the 19th and 20th centuries

The Roman School at the National Gallery of Ireland:
linking past and present conservation practices through
the treatment of a painting by Lavinia Fontana