PROGRAMME

1 – 2 July, 2021

1 JULY 2021

1:00-1:05 Welcome Addresses

1:05-1:20 Greetings

1:20-1:40 Main Lecture – Webber Ndoro – ICCROM, Director General

Session 1 – Conservation ethics and practice

1:40-1:45 Presentations by Michela Cardinali – CCR, Director of Conservation Laboratories and of the Higher Education and Study School

1:45-1:50 Presentations by Sarah Stannage – IIC, Executive Director

1:50-2:30 Presentations by young selected candidates to the call for abstracts for S1:

Arthur Henrique Araújo Vieira – Elaboration of Norms and Criteria for Intervention for the Safeguard of Núcleo Pioneiro de Goiânia-GO
Chiara Biribicchi – “Con Titolo”: the conservation treatment on a gouache painting on plywood (1986) by Gino De Dominicis. A comparative study on selected adhesives to carry out a fixing intervention on a matt paint film
Chiara Fabbri – Marcolino Gandini’s “Senza Titolo” restoration treatment: Contemporary art conservation issues and methodological challenges
Domiziana Marchioro – Methodological approach to a restoration artefact: the intervention on a stucco frame from the House of the Cryptoporticus in Pompeii
Eid Mertah – Characterizing polychrome and gilded bronze statues of osiris
Nicola Ricotta – Electrolytic processes as conservation practices: approaching the best surface appearance of tarnished silver objects through controlled cleaning

2:30-2:50 Q&A

Session 2 – Diagnostics and technologies applied to conservation

2:50-2:55 Presentation by Costanza Miliani – CNR ISPC, Director

2:55-3:00 Presentation by Lorenzo Appolonia – IGIIC, President

3:00-3:40 Presentations by young selected candidates to the call for abstracts for S2:

Anna Faron – Instrumental techniques aiding overpaints removal – MA-XRF Imaging supported with oct in conservation practice
Elisa Mammoliti – A multidisciplinary non-destructive approach for the chemico-physical and mechanical characterization of historical masonry mortars and stone elements: insights from Camerino town (Central Italy)
Águeda Sáenz-Martínez – Optical roughness measurements in the evaluation of acid cleaning treatments for the removal of calcareous deposits in ceramic materials
María Higueras Muñoz – Digital Elevation Models for the Assessment in the Diagnosis Process of Cultural Heritage
Alfredo Ortega-Ordaz – The Antifungal Effect of a Traditional Treatment on New Spain Maize Stem Sculptures
Valentina Valbi – Micorr application: a diagnostic tool for corrosion forms on heritage metal artifacts

3:40-4:00 Q&A

Young Professionals Forum Lab

4:00 – 5:00 Parallel working groups

1:00-1:15 Welcome Addresses

Session 3 – Museum professions

1:15-1:20 Presentation by Sara Abram – CCR, Secretary General

1:20-1:25 Presentation by Alberto Garlandini – ICOM International, President

1:25-1:55 Presentations by young selected candidates to the call for abstracts for S3:

Eleonora Casarotti – The Sepik masks at the Quai Branly museum – JC: building up a collection (1914-1999)
Suzana Kasovska Georgieva – Contribution to the interdisciplinarity of the museum professionals: case study of CULTHER project
Nagmeldeen Hamza – Conservation of Evidence: The significance of Objects biography from Tutankhamun tomb
Leticia Gondim – To research, it is necessary to conserve: the importance of conservation in curation and knowledge production, the case study of Rio do Meio, Brazil
María Barajas Rocha – The remains of the sacred precinct of Tenochtitlan in Mexico City. A new approach for their exhibition and conservation
Veronica Tronconi – Communicating conservation and restoration practice: towards a holistic approach

1:55-2:25 Q&A

Session 4 – History of conservation

2:25-2:30 Presentation by Maria Beatrice Failla – UniTo, Associate Professor

2:30-2:35 Presentations by Stefania De Blasi – CCR, Head of Documentation and Communication

2:35-3:05 Presentations by 6 young selected candidates to the call for abstracts for S4:

Camilla Ballor – Some restorations in Turin between the two world wars critical observations
Katharina Fuchs – Conservation of Viennese scagliola interiors – past methods and new approaches
Sneha Himanshu Kishnadwala – Making Future for the Past: Conversation of History of Conservation, an Indian Perspective
Veronika Knedilkowa – Mounting Papers – A Valuable Witness to the History of Renaissance Drawings
Angela Pepe – The complex conservative occurrences of the “Andata al Calvario” of the Correale Museum in Sorrento
Ariadne Irene Vaiopoulos del Ama – The San Fernando Royal Academy of Fine Arts and its role in the protection and safeguarding of Spanish heritage in the first half of the 19th century

3:05-3:35 Q&A

Young Professionals Forum Lab

3:35-4:40 Presentation of the outcomes of the Young Professionals Forum Lab

Award Ceremony

4:40-4:45 Announcement of the winner of YPF 2021 and her/his speech

4:45-4:50 Announcement of the winner of Ki Award and her/his speech

4:50-5:00 Closure