RESTURO CONSERVATION CENTER La Venaria Realehome / Digital archive – single work



CCR Archive

04mc03-AL-2009_Nichelino, Stupinigi Hunting Lodge, F. Bolgiè, Desk with lift, inv. 1620
Stupinigi Hunting Lodge, Bolgiè, Desk with lift inv. 1620 AD - before restoration
Stupinigi Hunting Lodge, Bolgiè, Desk with lift inv. 1620 AD - before restoration
Stupinigi Hunting Lodge, Bolgiè, Desk with lift inv. 1620 verse - before restoration
Stupinigi Hunting Lodge, Bolgiè, Desk with lift inv. 1620 AD - during the restoration
Stupinigi Hunting Lodge, Bolgiè, Desk with lift inv. 1620 AD - UV analysis
Stupinigi Hunting Lodge, Bolgiè, Desk with lift inv. 1620 - after restoration
04mc03-AL-2009_Bolgiè_scrivania_alzata
Restoration sheet
Technical report on scientific investigations FT-IR
XRF Scientific Investigations Technical Report
Detection data sheet

04mc03-AL-2009_Nichelino, Stupinigi Hunting Lodge, F. Bolgiè, Desk with lift, inv. 1620



Facilitated description:

 

The desk with lift is a wooden furniture painted blue formed by a scribes and a wardrobe. 
Francesco Bolgiè created the desk in 1790-1811.
The desk is kept at Stupinigi's hunting lodge.
The "La Venaria Reale" Conservation and Restoration Centre (CCR) restored the desk in 2009.
The restorers placed the desk in an anoxic chamber, an oxygen-free chamber that serves to eliminate wood-eating insects.
Then they dusted the work and glued the parts that were coming off.
The restorers painted the groutings (plaster and glue used to cover the wood shortages) with watercolors.
In the end, they painted the entire desk to protect it from the sun's rays and dust.

 

 

 

 

Abstract of the intervention:

 

Restoration

A disinfestation was carried out in the anoxic chamber on the desk support and subsequently the atmospheric deposits were removed with soft brushstrokes. On the pictorial surface and in particular in the areas that had lifts was made a consolidation of the color by syringing and brush application of animal collection. Subsequently, the volatile atmospheric deposits were removed and cleaning operations were carried out on the entire surface thanks to the use of soft rubbers. In addition, some plastering carried out during previous restorations and considered no longer suitable was eliminated, while the gaps were supplemented with plaster and animal glue and the excesses were removed with scalpel and brass cloth. The fragments of the sculpted decoration raised or partially detached have been repositioned and glued with animal glue and in correspondence of the vegetable decoration friezes of the side frames of the furniture some carving parts have been integrated to overcome the interruption of the overall decorative reading. Finally, a chromatic lowering was performed with watercolor color veils and watercolor colored pencils in correspondence of small fractures of the applied friezes and a protective film was spread over the entire surface.