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Pinin Brambilla Barcilon Archive

Milan, Pinacoteca di Brera, Donato Bramante, Ripped wall paintings
APBB_CTRS_83_2_P26 - APBB_CTRS_00250_02_1_001.jpg
APBB_CTRS_00250_02_1_002.jpg
APBB_CTRS_00250_01_001.jpg
APBB_CTRS_00250_01_002.jpg
APBB_CTRS_00250_01_003.jpg
APBB_CTRS_00250_01_004.jpg
APBB_CTRS_00250_01_005.jpg
APBB_CTRS_00250_01_006.jpg
APBB_CTRS_00250_01_007.jpg
APBB_CTRS_00250_01_008.jpg
APBB_CTRS_00250_01_009.jpg
APBB_CTRS_00250_01_010.jpg
APBB_CTRS_00250_01_011.jpg
APBB_CTRS_00250_01_012.jpg
APBB_CTRS_00250_01_013.jpg
APBB_CTRS_00250_01_014.jpg
APBB_CTRS_00250_01_015.jpg
APBB_CTRS_00250_01_016.jpg
APBB_CTRS_00250_01_017.jpg
APBB_CTRS_00250_01_018.jpg
APBB_CTRS_00250_01_019.jpg
APBB_CTRS_00250_01_020.jpg
APBB_CTRS_00250_01_021.jpg
APBB_CTRS_00250_01_022.jpg
APBB_CTRS_00250_01_023.jpg
Detached painting, detail of the Man from the halberd, mapping with notes on polychrome - (Man from the halberd, before restoration) - APBB_CTRS_83_2_P_001.tif
Detached painting back, detail of the Man from the halberd - Man from the halberd, Retro, before restoration - APBB_CTRS_83_2_P_002.tif
APBB_CTRS_83_2_P_003.tif
Mapping with notes on polychromy - Heraclitus and Democritus, before restoration - APBB_CTRS_83_2_P_004.tif
Upper left detail, cleaning tests - (Heraclitus and Democritus part., before restoration) - APBB_CTRS_83_2_P_005.tif
APBB_CTRS_83_2_P_006.tif
Detail decoration above the head of Heraclitus, plaster - Heraclitus and Democritus part., before restoration - APBB_CTRS_83_2_P_007.tif
Heraclitus and Democritus part., before restoration - APBB_CTRS_83_2_P_008.tif
Heraclitus and Democritus, cleaning tests - Heraclitus and Democritus, before restoration - APBB_CTRS_83_2_P_009.tif
Heraclitus and Democritus, detail of the shoulder of Heraclitus and the edge of the globe - Heraclitus and Democritus part., before restoration - APBB_CTRS_83_2_P_010.tif
Heraclitus and Democritus particular sleeve, plaster, salts - Heraclitus and Democritus part., before restoration - APBB_CTRS_83_2_P_011.tif
The singer, detail of the blouse, cleaning test - The singer, detail, before restoration - APBB_CTRS_83_2_P_012.tif
APBB_CTRS_83_2_P_013.tif
The singer, retro - (The singer, retro, before restoration) - APBB_CTRS_83_2_P_014.tif
APBB_CTRS_83_2_P_015.tif
The Singer, detail of the decorations painted in the upper left (shell) - APBB_CTRS_83_2_P_016.tif
APBB_CTRS_83_2_P_017.tif
Il Cantore, mapping of execution days - APBB_CTRS_83_2_P_018.tif
Man with bat, particular pictorial surface and plaster (not identifiable) - (Man with bat, part., before restoration) - APBB_CTRS_83_2_P_019.tif
APBB_CTRS_83_2_P_020.tif
Man with a bat, particular pictorial surface and plaster (not identifiable), lifting of the pictorial film, grazing light (Man with a bat, part., before restoration) - APBB_CTRS_83_2_P_021.tif
Man with bat, left elbow detail - Man with bat, part., before restoration - APBB_CTRS_83_2_P_022.tif
Man with a bat, detail of the decorations painted on the top left (shell) - (Man with a bat, part., before restoration) - APBB_CTRS_83_2_P_023.tif
APBB_CTRS_83_2_P_024.tif
Man with a Greatsword, polychrome mapping - Man with a Greatsword - APBB_CTRS_83_2_P_025.tif
APBB_CTRS_83_2_P_027.tif
Man with a Greatsword, part. pictorial film, before restoration, Grazing light - (Man with a Greatsword, part., before restoration) - APBB_CTRS_83_2_P_028.tif
Man of arms, detail of the shield with grazing light - APBB_CTRS_83_2_P_030.tif
Man of Arms, detail of the decoration painted on the top left, grazing light - Man of Arms, part, before restoration - APBB_CTRS_83_2_P_031.tif
APBB_CTRS_83_2_P_033.tif
APBB_CTRS_83_2_P_034.tif
Man of arms, detail of the capital on the left of the face with grouted gaps - Man of arms, part., restoration in progress - APBB_CTRS_83_2_P_035.tif
APBB_CTRS_83_2_P_036.tif
APBB_CTRS_83_2_P_037.tif
Man with halberd, cleaning test - Man with halberd, restoration in progress - APBB_CTRS_83_2_P_038.tif
APBB_CTRS_83_2_P_039.tif
Detail of Democritus' head and decoration - Heraclitus and Democritus, part., during restoration - APBB_CTRS_83_2_P_040.tif
The man with the bat, detail of the face, cleaning piece - The man with the bat, part., restoration in progress - APBB_CTRS_83_2_P_044.tif
APBB_CTRS_83_2_P_063.tif
The man with the halberd, particular macro hair - The man with the halberd part. dress, restoration completed - APBB_CTRS_83_2_P_064.tif
The halberd man, part of the mouth - (The halberd man, part. restoration completed) - APBB_CTRS_83_2_P_065.tif
The man with the halberd, particoalre of the left eye - (The man with the halberd, part. restoration completed) - APBB_CTRS_83_2_P_066.tif
Heraclitus and Democritus, part wrist figure on the left, restoration completed - APBB_CTRS_83_2_P_068.tif
Heraclitus and Democritus, part ring finger fig. on the left, restoration completed - APBB_CTRS_83_2_P_069.tif
Heraclitus and Democritus, particular macro index finger fig. on the right - (Heraclitus and Democritus, part index finger fig. on the right, restoration completed) - APBB_CTRS_83_2_P_070.tif
Heraclitus and Democritus, world part, restoration completed - APBB_CTRS_83_2_P_071.tif
Heraclitus and Democritus, particular macro of the neck of the figure on the left - Heraclitus and Democritus, part. neck figure on the left, restoration completed - APBB_CTRS_83_2_P_072.tif
Heraclitus and Democritus, part. macro of man in the decoration in the upper left - Heraclitus and Democritus, part. restoration completed - APBB_CTRS_83_2_P_073.tif
Heraclitus and Democritus, part. macro of horses in decoration - (Heraclitus and Democritus, part. restoration completed) - APBB_CTRS_83_2_P_074.tif
Heraclitus and Democritus, part. macro men in decoration - Heraclitus and Democritus, part. restoration completed - APBB_CTRS_83_2_P_075.tif
Heraclitus and Democritus, part. macro hair figure on the left - Heraclitus and Democritus, part. hair figure on the left, restoration completed - APBB_CTRS_83_2_P_076.tif
Heraclitus and Democritus, restoration completed, grazing light (decoration engravings visible) - (Heraclitus and Democritus, restoration completed) - APBB_CTRS_83_2_P_077.tif
Heraclitus and Democritus, particular macro ring finger fig. on the left - Heraclitus and Democritus, part ring finger fig. on the left, restoration completed - APBB_CTRS_83_2_P_078.tif
Heraclitus and Democritus, index finger part fig. on the right, restoration completed - APBB_CTRS_83_2_P_079.tif
Heraclitus and Democritus, part. macro, grazing light - (Heraclitus and Democritus, part. restoration completed) - APBB_CTRS_83_2_P_080.tif
Heraclitus and Democritus, part. of the coat of arms - Heraclitus and Democritus, part. restoration completed - APBB_CTRS_83_2_P_081.tif
APBB_CTRS_83_2_P_082.tif
APBB_CTRS_84_2_P_083.tif
APBB_CTRS_84_2_P_084.tif
APBB_CTRS_84_2_P_085.tif
APBB_CTRS_84_2_P_086.tif
APBB_CTRS_84_2_P_087.tif
APBB_CTRS_84_2_P_088.tif
APBB_CTRS_84_2_P_089.tif
APBB_CTRS_84_2_P_090.tif
APBB_CTRS_84_2_P_091.tif
APBB_CTRS_84_2_P_092.tif
APBB_CTRS_84_2_P_093.tif
APBB_CTRS_84_2_P_094.tif
APBB_CTRS_84_2_P_095.tif
APBB_CTRS_84_2_P_096.tif
APBB_CTRS_84_2_P_097.tif
APBB_CTRS_84_2_P_098.tif
APBB_CTRS_84_2_P_099.tif
APBB_CTRS_84_2_P_100.tif
APBB_CTRS_84_2_P_101.tif
APBB_CTRS_84_2_P_102.tif
APBB_CTRS_84_2_P_103.tif
APBB_CTRS_84_2_P_104.tif
APBB_CTRS_84_2_P_105.tif
APBB_CTRS_84_2_P_106.tif
APBB_CTRS_84_2_P_107.tif
APBB_CTRS_84_2_P_108.tif
APBB_CTRS_84_2_P_109.tif
APBB_CTRS_84_2_P_110.tif
APBB_CTRS_84_2_P_111.tif
APBB_CTRS_84_2_P_112.tif
APBB_CTRS_84_2_P_113.tif
APBB_CTRS_84_2_P_114.tif
APBB_CTRS_84_2_P_115.tif
APBB_CTRS_84_2_P_116.tif
APBB_CTRS_84_2_P_117.tif
APBB_CTRS_84_2_P_118.tif
APBB_CTRS_84_2_P_119.tif
APBB_CTRS_84_2_P_120.tif
APBB_CTRS_84_2_P_121.tif
APBB_CTRS_84_2_P_122.tif
APBB_CTRS_84_2_P_123.tif
APBB_CTRS_84_2_P_124.tif
APBB_CTRS_84_2_P_125.tif
APBB_CTRS_84_2_P_126.tif
APBB_CTRS_84_2_P_127.tif
APBB_CTRS_84_2_P_128.tif
APBB_CTRS_84_2_P_129.tif
APBB_CTRS_84_2_P_130.tif
Pinacoteca di Brera, Donato Bramante, Wall Paintings, Restoration Report 2016 - APBB_CTRS_83_2_DOC1.pdf
Pinacoteca di Brera, Donato Bramante, Wall paintings, Restoration report of 1976 - APBB_CTRS_83_2_DOC2.pdf
G. Mulazzani, M. Dalai Emiliani, S. Matalon, P. Brambilla Barcilon, A. Gallone, Donato Bramante: the men of arms,

Milan, Pinacoteca di Brera, Donato Bramante, Ripped wall paintings

Description

Reports, draft mappings, phototypes (positive, negative).

 

Consistency of archive

 

Foldons No 83 and No 84 of the Pinin Brambilla Barcilon Fund preserve the photographic documentation of the restoration dated 1976 relating to the torn and detached frescoes by Donato Bramante of the Pinacoteca di Brera and coming from Casa Panigarola formerly Visconti, in Via Lanzone 4, in Milan, commonly called Men of Arms.
A total of 132 black and white photographs are preserved. The restoration campaign is carried out on the occasion of the exhibition Processo per il Museo: Brera, curated by the then director of the Pinacoteca, art historian Luigi Russoli. The speech was published in issue 3 of the journal ‘Quaderni di Brera’, Donato Bramante: Men of Arms, also drafted by Pinin Brambilla for the section dedicated to restoration.

The photographs in the archive cover the phases before, during and after the restoration. There are no photographs of the diagnostic analysis, but there are some photos taken with grazing light, a useful technique to read more easily the damage and lifting of the pictorial film. Some photographs are pinned, either to indicate the different colours used, or to indicate the days of execution of the fresco highlighted with the naked eye. Many of the photos are macro details of the pictorial surface or details of the figures, while to a lesser extent we find the full-length photographs of the Men of Arms.  
The descriptive report of the restoration is not preserved, but some photographs contain notes from the contents that can be found in the description of the intervention described in the bibliography. 


Bibliography 

Franco Russoli (edited by), Process for the museum: Brera, Milan, Sisar, 1977

G. Mulazzani, M. Dalai Emiliani, S. Matalon, P. Brambilla Barcilon, A. Gallone, Donato Bramante: the Men of Arms, in "Quaderni di Brera", No 3, Florence, 1977

 


consistency

Quantity 133|4|2|51

Type positive(s) on paper up to 21x29 cm;negative(s) on 35 mm film;document(s);slide(s)

Description positive b/w 18x24 cm negative on 35 mm film restoration project colour slides with 5x5 cm frame.

Reordering sign

APBB_CTRS_F83_2; APBB_CTRS_F84_2


Proposal for intervention (no. 2 editions) and photographic documentation relating to the restoration of a series of torn wall paintings by Donato Bramante, from Casa Panigarola and depicting: Heraclitus and Democritus; Man with a Greatsword; Graduated man; Singer; Man with a bat; Man with halberd; Man-at-arms.

 

 

Simplified description 

 

The works belonging to the cycle "Uomini d'arme" by Donato Bramante are torn frescoes (a restorer transported the pictorial layer from the original support, the wall, to a different support, in this case the canvases) of 1486-1492.
Originally they decorated the rooms of Casa Panigarola in Milan, but in 1901 they were taken to the Pinacoteca di Brera in Milan, where they are now preserved.
The restorer Pinin Brambilla Barcilon restored the works in 1976-1977. 
The restoration was carried out on the occasion of an exhibition organized at the Pinacoteca di Brera in Milan.
Previous restorations had modified the works.
Only one of these frescoes, "L'uomo d'arme", was transported with the technique of detachment (separation of the painting from the original support), also removing the plaster.
The other frescoes were torn (transportation of the only pictorial layer from the original support to a different support) and glued on canvases.
The restorer Pinin Brambilla carried out the cleaning (cleaning the surface of the artwork from the dirt deposited over time) and repaired the gaps (missing parts).
It reinforced the old frame (structure that supports the canvas of the painting) and the support canvases.
It made the colors brighter, damaged by previous restorations.

 

Reference bibliography

 

Franco Russoli (edited by), Process for the museum: Brera, Milan, Sisar, 1977

 

G. Mulazzani, M. Dalai Emiliani, S. Matalon, P. Brambilla Barcilon, A. Gallone, Donato Bramante: the Men of Arms, in "Quaderni di Brera", No 3, Florence, 1977